Catalogue Essays


 “Interim Spaces” Bill Jacobson, 945 Madison Avenue (New York, Small Planes Press, 2017)
 “The Moving: Abstraction and Emotion in the Art of Pierre Dorion,” Pierre Dorion, (Montréal, Musée d’Art Contemporain de Montréal, 2012) download pdf
“Floating Boulders and Other Magical Acts” Floating a Boulder: Works by Felix Gonzalez Torres and Jim Hodges (New York, NY, Flag Art Foundation, 2010) read online
“The Other Way,” Tim Rollins and K.O.S. (Cambridge, Massachusetts / London, England, MIT Press, 2009) read online
“Nayland Blake: ‘Feeder 2 and Corollary’,” Nayland Blake: Some Kind of Love: Performance Video 1989-2002, (Saratoga Springs, NY, The Frances Young Tang Teaching Museum and Art Gallery, 2004) download pdf
“Mary Lum,” Drawing Papers, II (New York, NY, The Drawing Center, 2000)
“A Lovesome Thing: The Film Art of Isaac Julien,” The Film Art of Isaac Julien (Anandale-on-Hudson, NY, The Center for Curatorial Studies, Bard College, 2000) download pdf
“Lost and Found,” Wolfgang Tillmans Burg  (Cologne, Benedikt Taschen Verlag, 1998)
“American Interregnum: Notes on Art, Life and Politics Late in the Age of AIDS,” AIDS Worlds: Between Resugnation and Hope (Geneva, Switzwerland, Centre d’Art Contemporain, 1998)
“Contradictions and Containment,” Felix  Gonzalez-Torres: Catalogue Raisonné  (Ostfildern-Ruit, Cantz Verlag, 1997) download pdf
“Out of the Past: The Photography of James Welling,” James Welling (Oslo, Norway, Kunstnernes Hus, 1992)
“The Birth of the Viewer,” Oeuvres Originales  (Clisson, France, FRAC Garenne Lemot, 1991) download pdf
“Sherrie Levine: Rules of the Game,” Sherrie Levine (Kunsthalle Zurich et al., 1991)
“Felix Gonzalez-Torres: Blue Jeans and Death by Gun,” Cady Noland/Felix Gonzalez-Torres (Berlin, Neue Gesellschaft für Bildende Kunst, 1990)
“Taking Control: Art and Activism,” The Decade Show: Frameworks of Identity in the 1980s (New York, The New Museum of Contemporary Art et al., 1990)
“Geography Lessons,” Robert Bordo: Paintings (New York, Brooke Alexander, Inc, 1990)
“Angola to Vietnam: Unnatural Selection,” Christopher Williams (Zürich, Shedhalle Zürich, 1989) download pdf
“Wild History,” Comic Iconoclasm (London, Institute of Contemporary Art, 1987)
“The Best of Both Worlds,” Picture Taking: Weegee, Walker Evans, Sherrie Levine, Robert Mapplethorpe  (Evanston, Ill., Block Gallery, 1985)
“Drawing from Memory,” The Art of Memory/The Loss of History (New York, The New Museum of Contemporary Art, 1985)
“Public Works,” Art & Social Change, U.S.A. (Oberlin, Ohio, Allen Museum, 1983)